Out of the Sacramento garage
The yin and yang of heavy and soft
The masterpiece of the white pony
Tragedy, resilience, and global legacy
mankai After early jam sessions, Delgado officially joined Deftones during the 1999 White Pony sessions using turntables, samplers, and synthesizers.
mankai Their masterpiece White Pony fused aggressive metal with ethereal shoegaze and ambient textures.
mankai Blend heavy metal with dreamy ambient textures to discover how Deftones fused contrasting sounds.
The label's forced single: Maverick Records forced Deftones to record 'Back to School (Mini Maggit)' to have a rap-rock single, a decision the band publicly hated.
A small horse characterized by a light or white-colored coat. Terry Date co-produced the band's landmark June 20, 2000 record at The Plant in Sausalito.
Instead of traditional scratch solos, how did keyboardist Frank Delgado use his turntables and samplers in Deftones?
In what year did keyboardist and turntablist Frank Delgado officially join Deftones as a full-time member?
Which musical genre did Deftones actively try to distance themselves from while writing White Pony?
On what date was Deftones' landmark third studio album, White Pony, released by Maverick Records?
How did Deftones drummer Abe Cunningham describe the band's reaction to winning their Grammy Award?
Which female vocalist provided the intense, operatic screaming vocals on the Deftones track 'Knife Prty'?