The dark silhouettes cast when light shines through Asawa's woven wire sculptures. Serving as an essential, active part of the installation, they create a shifting second drawing, transforming static metal into dancing illusions.
Art born in captivity
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The Black Mountain College experiment
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Weaving space and shadows
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The public citizen of San Francisco
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The domestic studio
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YOUR GOAL
Master of The art of Ruth Asawa
The dark silhouettes cast when light shines through Asawa's woven wire sculptures. Serving as an essential, active part of the installation, they create a shifting second drawing, transforming static metal into dancing illusions.
Suspended wire: Ruth Asawa hung her looped-wire sculptures from the ceiling so they floated, gently swaying to cast mesmerizing, shifting shadows that wove wonder across the space.


choko Match the wire loops to their shadows to discover how Ruth Asawa sculpted with light.
choko Ruth Asawa's Wire Sculptures
Woven wire, catching light, painting shadows on the wall.

choko Asawa challenged the traditional concept of sculpture as heavy, solid, and earthbound.
Shadow art: Ruth Asawa insisted that her sculptures be exhibited with strategic lighting so their shadows would project onto the walls, doubling the artwork's visual impact.

choko The shadows cast by Asawa's wire sculptures were as important as the physical metal itself.
A thread or slender rod of metal. After visiting Mexico in 1947, Ruth Asawa began looping wire to create three-dimensional hanging sculptures.
What did Ruth Asawa consider to be an essential, active part of her hanging wire installations?


