A specialized academy where students are trained in the traditional sport and performance of bullfighting. For a twelve-year-old Fernando Botero, his brief enrollment in a Colombian matador school became an unlikely launchpad for his art; instead of dodging charges, he sketched the massive, rounded animals, discovering the secret of volume and monumentality that would later define his iconic style, Boterismo.
The birth of Boterismo and the secret of volume
Masterpieces in 3D and sculpting the streets
Reimagining the classics with a curvy twist
Volume meets power, politics, and protest
YOUR GOAL
Master of The curvy world of Fernando Botero
A specialized academy where students are trained in the traditional sport and performance of bullfighting. For a twelve-year-old Fernando Botero, his brief enrollment in a Colombian matador school became an unlikely launchpad for his art; instead of dodging charges, he sketched the massive, rounded animals, discovering the secret of volume and monumentality that would later define his iconic style, Boterismo.
choko The Birth of Boterismo
Shrunk the sound hole / watched the mandolin swell / volume is born!

choko This chubby bronze cat sculpture in Barcelona displays Botero's signature style of volume.

choko Swipe to puff up these cute figures to discover how Botero used volume for monumentality.
Mandolin scale: In 1956, Botero painted a mandolin sound hole so small it made the instrument look giant.

An artistic style characterized by the depiction of people and objects in exaggerated, voluminous proportions. The aesthetic emerged in 1956 when Fernando Botero painted a mandolin with an unusually tiny sound hole.
Why did Fernando Botero reject the term 'fat' to describe the figures in his paintings?

choko Before discovering his passion for art, a young Botero trained to become a professional bullfighter in Colombia.

choko Botero strongly rejected the idea that he painted fat people, explaining that his focus was on volume and sensuality.
In which country did Fernando Botero paint the famous mandolin that marked the birth of his volumetric style?
Which European art period heavily influenced Fernando Botero's understanding of volume after he visited Florence in 1952?
choko Italian Renaissance masters taught Fernando Botero how to use three-dimensional space.



